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標題: 巴哈 Johann Sebastian Bach - Orgelwerke(1980-XX-XX@259M@320K@多空) [打印本頁]

作者: salvatore-513-    時間: 2023-2-17 05:46 AM     標題: 巴哈 Johann Sebastian Bach - Orgelwerke(1980-XX-XX@259M@320K@多空)

專輯圖片:[attach]138293784[/attach]
專輯名稱:Orgelwerke
專輯歌手:巴哈 Johann Sebastian Bach
專輯語言:演奏
唱片公司:Deutsche Grammophon
專輯曲目:

CD1
01.Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
02.Prelude and Fugue, for organ in E flat major (-St. Anne- Clavier-Übung III-26), BWV 552 (BC J16)
03.Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5)- Allegro
04.Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5)- Largo
05.Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5)- Allegro
06.Fantasia and Fugue, for organ in G minor (-Great-), BWV 542 (BC J42, 57, 67)
07.Kommst du nun, Jesu, vom Himmel herunter, chorale prelude for organ (Schübler Chorale No. 6), BWV 650 (BC K27)
08.Wachet auf, ruft uns die Stimme, chorale prelude for organ (Schübler Chorale No. 1), BWV 645 (BC K22)

CD2
01.Toccata (Präludium) und Fuge d-moll (-Dorische-) BWV 538 (part 1)
02.Toccata (Präludium) und Fuge d-moll (-Dorische-) BWV 538 (part 2)
03.Partite diverse sopra- Sei gegrüßet, Jesu gütig BWV 768
04.Passacaglia c-moll BWV 582 (part 1)
05.Passacaglia c-moll BWV 582 (part 2)

專輯介紹:

演奏:卡爾‧李希特Karl Richter

All Music Review by James Leonard
"Astounding" doesn't even come close to describing these '60s recordings of Bach's organ works played by Karl Richter on the Jaegerborg-Kirche organ in Copenhagen. Richter's technique is more than astounding; it is stunning in its virtuosity. While there are a handful of organists that equal Richter, there are none who surpass him. From his incredibly independent hands to his unbelievably dexterous pedals, Richter is a marvel.

More than that, Richter's interpretations are more astounding; they are staggering in their profundity. From the furious raging of the Toccata and Fugue in D minor to the sublime exaltation of Wachet auf, ruft unds die Stimme to the ecstatic terror of the Passacaglia and Fugue in C minor, Richter is a miracle. Deutsche Grammophone's recordings are likewise more than astounding; it is spectacular in its reality. Every combination of stops and registers, every gradation of tone from a whispered melody for thefour-foot flute to a thunderous pedal tone on the lowset A is realized in stupendous sound, placing the listener in the central pew of an almost empty Jaegerborg-Kirche. Anyone who loves great organ recordings will love these recordings.

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